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Solsbury Hill (song)
"Solsbury Hill" is the debut solo single by English rock musician Peter Gabriel. He wrote the song about a spiritual experience atop Solsbury Hill in Somerset, England, after his departure from the progressive rock band Genesis, of which he had been the lead vocalist since its inception. The single was a Top 20 hit in the UK, peaking at number 13, and reached number 68 on the ''Billboard'' Hot 100 chart in 1977. Gabriel has said of the song's meaning, "It's about being prepared to lose what you have for what you might get ... It's about letting go." The song is mostly written in time, an unusual time signature that has been described as "giving the song a constant sense of struggle". The meter settles into time only for the last two measures of each chorus. It is performed in the key of B major with a tempo of 102 beats per minute, with Gabriel's vocals ranging from F3 to G4. Background Recorded at The Soundstage studios in Toronto, producer Bob Ezrin placed some re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Gabriel
Peter Brian Gabriel (born 13 February 1950) is an English musician, singer, songwriter, record producer, and activist. He rose to fame as the original lead singer of the progressive rock band Genesis. After leaving Genesis in 1975, he launched a successful solo career with "Solsbury Hill" as his first single. His fifth studio album, '' So'' (1986), is his best-selling release and is certified triple platinum in the UK and five times platinum in the US. The album's most successful single, " Sledgehammer", won a record nine MTV Awards at the 1987 MTV Video Music Awards and, according to a report in 2011, it was MTV's most played music video of all time. Gabriel has been a champion of world music for much of his career. He co-founded the WOMAD festival in 1982. He has continued to focus on producing and promoting world music through his Real World Records label. He has also pioneered digital distribution methods for music, co-founding OD2, one of the first online music download ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tempo
In musical terminology, tempo (Italian, 'time'; plural ''tempos'', or ''tempi'' from the Italian plural) is the speed or pace of a given piece. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and is usually measured in beats per minute (or bpm). In modern classical compositions, a "metronome mark" in beats per minute may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in BPM. Tempo may be separated from articulation and meter, or these aspects may be indicated along with tempo, all contributing to the overall texture. While the ability to hold a steady tempo is a vital skill for a musical performer, tempo is changeable. Depending on the genre of a piece of music and the performers' interpretation, a piece may be played with slight tempo rubato or drastic variances. In ensembles, the tempo is often ind ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Backmasking
Backmasking is a recording technique in which a message is recorded backward onto a track that is meant to be played forward. It is a deliberate process, whereas a message found through phonetic reversal may be unintentional. Artists have since used backmasking for artistic, comedic and satiric effect, on both analogue and digital recordings. It has also been used to censor words or phrases for "clean" releases of explicit songs. In 1969, rumors of a backmasked message in the Beatles song "Revolution 9" sparked the Paul is dead urban legend. Since at least the early 1980s, Christian groups in the United States alleged that backmasking was being used by prominent rock musicians for Satanic purposes, leading to record-burning protests and proposed anti-backmasking legislation by state and federal governments during the 1980s, as part of the Satanic panic movement of the time. Many popular musicians were accused of including backmasked messages in their music. However, appare ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sounds (magazine)
''Sounds'' was a UK weekly pop/rock music newspaper, published from 10 October 1970 to 6 April 1991. It was known for giving away posters in the centre of the paper (initially black and white, then colour from late 1971) and later for covering heavy metal (especially the new wave of British heavy metal (NWOBHM)) and punk and Oi! music in its late 1970s–early 1980s heyday. History It was produced by Spotlight Publications (part of Morgan Grampian), which was set up by John Thompson and Jo Saul with Jack Hutton and Peter Wilkinson, who left ''Melody Maker'' to start their own company. ''Sounds'' was their first project, a weekly paper devoted to progressive rock and described by Hutton, to those he was attempting to recruit from his former publication, as "a leftwing ''Melody Maker''". ''Sounds'' was intended to be a weekly rival to titles such as ''Melody Maker'' and ''New Musical Express'' (''NME''). ''Sounds'' was one of the first music papers to cover punk. Mick Middles c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barbara Charone
Barbara Charone is a UK-based American public relations officer for musical artists and Board Member of Chelsea F.C. Formerly a journalist and music critic, she wrote regularly for the ''Chicago Sun-Times'', the ''NME'' and ''Rolling Stone'' while still a university student in the early 1970s. After relocating to England in 1974, she worked as a staff writer for ''Sounds'' magazine, where she subsequently rose to the position of deputy editor. During the 1970s, she also contributed feature articles and reviews to publications such as ''Crawdaddy!'', ''Creem'' and ''Circus''. Charone commenced her career in public relations at WEA in 1981. She left in 2000, having become the company's press director, to co-found the agency MBC PR. Her clients at MBC have included Madonna, Depeche Mode, Primal Scream, Robert Plant, Pearl Jam, Rod Stewart and Christina Aguilera. Charone is also the author of an authorized biography of Keith Richards, published in 1979. Early life and education Barbara ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimmy Maelen
Jimmy may refer to: Arts and entertainment Film and television * ''Jimmy'' (2008 film), a 2008 Hindi thriller directed by Raj N. Sippy * ''Jimmy'' (1979 film), a 1979 Indian Malayalam film directed by Melattoor Ravi Varma * ''Jimmy'' (2013 film), a 2013 drama directed by Mark Freiburger * "The Jimmy", a 1995 episode of the sitcom ''Seinfeld'' * "Jimmy", a 2002 episode of ''Static Shock'' Music * ''Jimmy'' (musical), a 1969 musical Songs * "Jimmy" (song), a song by M.I.A. from the 2007 album ''Kala'' * "Jimmy", a song by Irving Berlin, see also List of songs written by Irving Berlin * "Jimmy", a song by Tones and I from her EP '' The Kids Are Coming'' * "Jimmy", a song by Tool from their 1996 album ''Ænima'' * "Jimmy", a song by dutch artist Boudewijn de Groot * "Jimmy", a song by Jay Thompson for the 1967 film ''Thoroughly Modern Millie'' Theater * Jimmy Awards, annual awards given by the Broadway League to high school musical theater performers in the United States ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Larry Fast
Lawrence Roger Fast (born December 10, 1951) is an American synthesizer player and composer. He is best known for his 1975–1987 series of synthesizer music albums (''Synergy'') and for his contributions to a number of popular music acts, including Peter Gabriel, Foreigner, Nektar, Bonnie Tyler, and Hall & Oates. Biography Fast grew up in Livingston, New Jersey and attended Lafayette College in Pennsylvania, where he obtained a degree in History. There he took his previous training in piano and violin and melded them with computer science to become interested in synthesized music and to build his own primitive sound-making electronic devices. He was introduced to Rick Wakeman, the keyboard player from the band Yes, during a local radio interview, and traveled to the UK to work with Yes on their 1974 album ''Tales from Topographic Oceans''. It was there that he got a recording contract with Passport Records. The Synergy project Fast recorded a series of pioneering synth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Telephone Directory
A telephone directory, commonly called a telephone book, telephone address book, phonebook, or the white and yellow pages, is a listing of telephone subscribers in a geographical area or subscribers to services provided by the organization that publishes the directory. Its purpose is to allow the telephone number of a subscriber identified by name and address to be found. The advent of the Internet and smartphones in the 21st century greatly reduced the need for a paper phone book. Some communities, such as Seattle and San Francisco, sought to ban their unsolicited distribution as wasteful, unwanted and harmful to the environment.Yellow Pages ruling endangers SF ban Heather Knight, '' |
Allan Schwartzberg
Allan Schwartzberg (born December 28, 1942) is an American musician and record producer. He has been a member of the rock band Mountain, Peter Gabriel's first solo band, toured with Brecker Brothers' Dreams, B.J. Thomas, Linda Rondstadt, Stan Getz band, and the Pat Travers band. He has experienced success as a prolific session musician, through recordings made from the 1970s through today. He has also played on multi genre hits such as Gloria Gaynor "Never Can Say Goodbye", considered the first disco record, James Brown's "Funky President" (his beat has been sampled on 808 different records), Harry Chapin's "Cat's In The Cradle", Tony Orlando & Dawn's ''Tie A Yellow Ribbon'', Peter Gabriel's "Solsbury Hill", the Spinners' "Workin' My Way Back to You", the ''Star Wars'' theme, and Rod Stewart's Great American Songbook series including the hit "What A Wonderful World". He has played with musicians and singers including John Lennon, Diana Ross, James Brown, Jimi Hendrix, Alice Cooper, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Capo (musical Device)
A capo (short for ''capodastro'', ''capo tasto'' or ''capotasto'' , Italian for "head of fretboard") , ''capo'' or ''capodastro''; french: capodastre; german: Kapodaster; pt, capotraste; sh, kapodaster; el, καποτάστο, kapotásto. is a device a musician uses on the neck of a stringed (typically fretted) instrument to transpose and shorten the playable length of the strings—hence raising the pitch. It is a common tool for players of guitars, mandolins, mandolas, banjos, ukuleles and bouzoukis. The word derives from the Italian ''capotasto'', which means the nut of a stringed instrument. The earliest known use of ''capotasto'' is by Giovanni Battista Doni who, in his ''Annotazioni'' of 1640, uses it to describe the nut of a viola da gamba. The first patented capo was designed by James Ashborn of Wolcottville, Connecticut year 1850. Musicians commonly use a capo to raise the pitch of a fretted instrument so they can play in a different key using the same finger ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fingerstyle Guitar
Fingerstyle guitar is the technique of playing the guitar or bass guitar by plucking the strings directly with the fingertips, fingernails, or picks attached to fingers, as opposed to flatpicking (plucking individual notes with a single plectrum, commonly called a "pick"). The term "fingerstyle" is something of a misnomer, since it is present in several different genres and styles of music—but mostly, because it involves a completely different technique, not just a "style" of playing, especially for the guitarist's picking/plucking hand. The term is often used synonymously with fingerpicking except in classical guitar circles, although fingerpicking can also refer to a specific tradition of folk, blues and country guitar playing in the US. The terms "fingerstyle" and "fingerpicking" also applied to similar string instruments such as the banjo. Music arranged for fingerstyle playing can include chords, arpeggios (the notes of a chord played one after the other, as opposed to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Twelve-string Guitar
A twelve-string guitar (or 12-string guitar) is a steel-string guitar with 12 strings in six courses, which produces a thicker, more ringing tone than a standard six-string guitar. Typically, the strings of the lower four courses are tuned in octaves, with those of the upper two courses tuned in unison. The gap between the strings within each dual-string course is narrow, and the strings of each course are fretted and plucked as a single unit. The neck is wider, to accommodate the extra strings, and is similar to the width of a classical guitar neck. The sound, particularly on acoustic instruments, is fuller and more harmonically resonant than six-string instruments. The 12-string guitar can be played like a 6-string guitar as players still use the same notes, chords and guitar techniques like a standard 6-string guitar, but advanced techniques might be tough as players need to play or pluck two strings simultaneously. Structurally, 12-string guitars, especially those built befo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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